LASER TECHNIQUES IN CONSERVATION OF ARTWORKS: PROBLEMS AND BREAKTHROUGHS

After more than thirty years since the first experiment in Venice, only in the last decade laser techniques have been widely recognised as one of the most important innovation introduced in the conservation of artworks for diagnostics, restoration and monitoring aims. Especially the use of laser ablation for the delicate phase of cleaning has been debated for many years, because of the problems encountered in finding an appropriate setting of the laser parameters. Many experimentations carried out on stone, metals and pigments put in evidence unacceptable side effects such as discoloration and yellowing after the treatment, or scarce cleaning productivity in respect of other techniques. Many research projects organised at European level have contributed to find breakthroughs in laser techniques that could avoid such problems. The choices of specific laser parameters better suited for cleaning of stone, metals and pigments are described. A series of validation case studies is reported.