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The cello suites of Johann Sebastian Bach exhibit several types of power-law scaling, the best examples of which can be considered fractal in nature. This article examines scaling with respect to the characteristics of melodic interval and its derivative, melodic moment. A new and effective method for pitch-related analysis is described and then applied to a selection of the 36 pieces that comprise the six cello suites.

A new type of iterated function systems is constructed based on different weights, and it is proved that this type of iterated function systems generates a class of bivariate continuous functions whose graphs are the fractal interpolation surfaces passing through the given interpolation points. Considering the influences of the fractal interpolation functions on different weights and basic functions, we give the corresponding error estimation formula. Finally, the calculation formula for the integral moments of this class of bivariate fractal interpolation functions is given.