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In 1760 James Macpherson published the first volume of a series of epic poems which he claimed to have translated into English from ancient Scottish-Gaelic sources. The poems, which purported to have been composed by a third-century bard named Ossian, quickly achieved wide international acclaim. They invited comparisons with major works of the epic tradition, including Homer’s Iliad and Odyssey, and effected a profound influence on the emergent Romantic period in literature and the arts. However, the work also provoked one of the most famous literary controversies of all time, coloring the reception of the poetry to this day. The authenticity of the poems was questioned by some scholars, while others protested that they misappropriated material from Irish mythological sources. Recent years have seen a growing critical interest in Ossian, initiated by revisionist and counter-revisionist scholarship and by the two-hundred-and-fiftieth anniversary of the first collected edition of the poems in 1765. Here, we investigate Ossian from a networks-science point of view. We compare the connectivity structures underlying the societies described in the Ossianic narratives with those of ancient Greek and Irish sources. Despite attempts, from the outset, to position Ossian alongside the Homeric epics and to distance it from Irish sources, our results indicate significant network-structural differences between Macpherson’s text and those of Homer. They also show a strong similarity between Ossianic networks and those of the narratives known as Acallam na Senórach (Colloquy of the Ancients) from the Fenian Cycle of Irish mythology.

Táin Bó Cúailnge or the “Cattle Raid of Cooley” (TBC) is the most famous epic narrative in early Irish literature, having been brought to prominence in modern times by Thomas Kinsella’s iconic translation (1969). The origins of TBC were described by Kinsella as “far more ancient” than the medieval manuscripts that relate it and associated prequels to the tale, called remscéla. One of these, not included in Kinsella’s translation, is Táin Bó Fraích — “The raid of Fráoch’s cattle” (TBF). TBF comes in two discontinuous parts which differ in subject matter and style. We examine the structural relationships between TBF as presented by Leahy [Heroic Romances in Ireland (David Nutt, London, 1906)] and TBC from a social networks point of view and compare them with the seven smaller tales presented in Kinsella’s text. We find that network structures in Kinsella’s text — both TBC itself and the remscéla he selected — are similar to those in TBF, and somewhat moreso the first part than the second.

This paper aims to review the literature on the definitions of sharing economy. For this study, a total of 280 papers have been collected and then limited to 75 published papers which have given the sharing economy definitions in their studies. This study shows different definitions related to the sharing economy where differences in definitions and their similarities are shown. This study gives deep detail about the definitions of the term sharing economy which gives complete information about definitions till the date of publication of this study on sharing economy definition.

The purpose of this chapter is to bring literature closer to ordinary management, demonstrating that the former is a possible place for research that wants to tell new stories about business and administration from a post/decolonial point of view. We associate these two concepts in order to demonstrate that it is possible to adopt literature as a space of research and possibilities within the epistemological scope of Organizational Studies. Therefore, we go back to the colonial process of subjecting knowledge to a power matrix, in addition to developing the theoretical contributions of studies on daily life and ordinary management. In our discussion, we contributed to the promotion of registries on other ways of organizing, shifting our gaze to the cracks of everyday life as new possibilities for generating historically located knowledge.

A Digital Object Identifier (DOI) is an alpha-numeric standard for the use of identifying intellectual property within computer networks and is a recent trend in the field of the electronic publishing of scholarly articles. This study examines the publishing patterns in the scholarly literature of digital object identifiers. The research includes core journals, professional affiliations, gender, and geographic locations. Additionally, the primary disciplines represented in the authorship of the DOI literature are observed. This paper was submitted in the LIS651 course, Introduction to Library and Information Science, during April 2007, as a partial requirement for a Master's degree in the School of Library and Information Science, at the University of Southern Mississippi, Hattiesburg.

This paper discusses selected poems by three generations of Malay writers in Singapore from the first generation poets who received their vernacular education during British colonial period, before Malayan Independence in 1957; to second generation writers who received Malay education when Singapore was part of Malaysia (1957–1965) who established their poems in 1970s; and the third generation writers who received bilingual education after Singapore become a Republic in the 1980s. These iconic poems embody the aesthetic as well as the cultural and political values of Malay society. It is an early attempt to define and search for the canon of Singapore Malay poetry.